A two-piece meditation on the egret—Louisiana’s quiet icon—rendered in soft graphite tones and luminous restraint. The Egrets series reduces the bird to gesture and negative space: long necks folding into S-curves, bodies dissolving into misty overlap, and a calm choreography that feels both studied and instinctive. The result is atmospheric and timeless, like a remembered shoreline drawn from light.
Egrets Five gathers a dense, interlaced cluster of forms—arched necks and angled beaks emerging and receding as if the flock is turning in slow unison. Subtle shifts in pressure and shading create depth without declaring edges, letting the birds drift between outline and vapor. It’s a quiet composition with a strong internal rhythm: measured, graceful, and unmistakably alive.
