A two-piece meditation on the egret—Louisiana’s quiet icon—rendered in soft graphite tones and luminous restraint. The Egrets series reduces the bird to gesture and negative space: long necks folding into S-curves, bodies dissolving into misty overlap, and a calm choreography that feels both studied and instinctive. The result is atmospheric and timeless, like a remembered shoreline drawn from light.
Egrets Four leans into movement and interval—figures overlapping in a fluid lattice of curves, with space doing as much work as line. The tonal field stays gentle and airy, while the repeated silhouettes build a sense of procession, like a moment of stillness inside motion. It reads as a distilled study of form—elegant, spare, and serene.
